Beautiful Things: 12 December 2025 – mid-January 2026

2025 has turned into a busy year! And I have been lax in reporting what’s going on here on the site. In October, I was asked to show my Chiyogami portraits and related art in Sheffield at a shop I love called Moonko. As soon as I returned from Brighton, we got to work with organizing and preparing for the show.

Debra, the owner, is a wonderful human being and also an artist herself. Her work covers the walls of the space and she recently concluded a show in Paris, France, in November 2025.

The works on display are my remaining (and available for purchase) Chiyogami portraits, the remaining origami crane strands from the Japan senbazuru, kintsugi repaired items, greeting cards and postcards, and stickers. A3 prints are available to order by QR code online (scan sheet in the shop).

The exhibition is from 12 December 2025 – mid-January 2026. The shop is open until 5 or 6pm most days, including Sundays and is located at 89 Division Street, Sheffield S1 4GE. There are many parking lots nearby and it is in the walkable part of the city center.

We held the opening events this past weekend on Friday 12th December and Saturday 13th December. Both were well attended by friends, coworkers, and local members of the community – new friends! Both events were lovely with great energy, nice music, good wine, and samosas provided by Sheeby’s Kitchen Sheffield, located right across the street!

If you are in the area, please do stop in and say hello! There are plenty of other artists with work in the shop to view, and it’s the perfect place to get a LOT of your holiday shopping done. Support local businesses and artists, shop local, make new connections in the community! And if you would like me to meet up with you to go to the shop and talk about the work, send me a message! I’m glad to talk about my art with people in the area!

Coven: Beyond Borders 28 Oct – 2 Nov 2025

Hi family and friends!

The show in Brighton was a massive success. It was a wonderful first showing for the Folding Chair Coven. Requiring two years of planning, the group arrived in Brighton and spent the 27th and 28th October setting up, making adjustments, and catching up for the first time in-person since our time together in Florence in October 2023.

Exhibiting artists: Yoni Chepisheva, Gina Cincinnati, Lula Cornejo, Claudia Dieguez, Andrea Latorre Orfebre, and Velimna.

In attendance: Yoni Chepisheva, Gina Cincinnati, and Lula Cornejo.

Although the weather might have deterred some from attending, there was a steady stream of guests throughout the week. It was the perfect time and space to meet with locals in Brighton and have deep conversations about our art, motivations, and the coven itself. I invigilated the show each day, with Yoni and Lula attending and invigilating with me as often as they could. It was so nice to be so close to the sea. I found four hag stones on the beach one morning on my way to open the event!

From 30th October to 1 November (Thursday to Saturday) we were joined by the Savage Heart Theatre group, who put on an event entitled “Dark Bites”, a mobile performance that took participants room-to-room for a sold-out series of small, dark plays.

For myself personally, I was most pleased at the amount of people, total strangers, who felt comfortable speaking with me about my work and shared their own experiences of or thoughts on SA. The artworks were initially launched online here and on social media, to friends and followers who know me well enough. There was a context in releasing the works in this way that allowed an experience of trust and understanding, due to our close ties. Showing in Brighton, even with a trigger warning at the venue entrance and at the door of the gallery, allowed the work to be viewed by strangers with no idea of who I am or what I am like. Layers of understanding were not present. And yet, the people still came and told me their stories. I could not have been happier with the outcome. It solidified my plan to create a book of the series, and gave me practice speaking about the artworks and my experiences with people who didn’t have that aforementioned context.

We can’t thank the team at the Regency Townhouse enough for their hospitality, and the Savage Heart Theatre for partnering with us. And we look forward to the next big group event!

PATREON is live!

Friends! Supporters! Art fans!

I’ve done it. I’ve gone and made a Patreon. It’s been a long time coming and I’ve been really lucky to have a lot of trusted art friends and supporters who helped me work out the different tiers along the way.

It’s incredibly exciting that this thing is live now and officially open for business.

For those of you who are wondering why I went and made a Patreon, it’s this/these many things:

  • I know there are a lot of people who want to support what I do but maybe don’t want to buy art or a print.
  • I am craving art community.
  • We are all craving community.
  • People always tell me they are bad at art or don’t understand art. And you know I operate on radical transparency when it comes to my art. I want to spread that and help everyone understand it.
  • It’s a good way for me to stay in closer contact with the people who support me most/hardest. The art ride or dies, so to speak.
  • We can all be in this art making thing together and have fun doing it!

There are so many reasons. And they are written in my first post on the Patreon page and listed in the different support tiers.

It’s not a cult. It might become another art coven. No guarantees. But lets all art together!

Longlisted for VAO!

Hi friends!

My 2024 artwork Afterlife has been longlisted for the Visual Art Open 2025!

I submitted it for consideration in October of 2024. From the VAO site:
The VAO Art Prize offers unparalleled exposure and an opportunity for artists to sell their artwork to an audience of over a million art collectors and enthusiasts alike. A prize fund of over £10,000 includes cash prizes, exhibition opportunities and career development support in partnership with the Visual Artists Association. 

There is a cash prize, and there is no voting in this event. The long listed artists have been notified and then the next stages are:

  • Finalists Announced: Late August 2025
  • Winners Announced: October 2025 Finalist Show
  • Finalist Show: 9th-12th October (Final Date TBC)

The final show will take place within or adjacent to the Other Art Fair in London. I am beyond thrilled to have been considered and have my fingers crossed and/und meine daumen gedrückt to get to the shortlisted/finalists stage! It would be lovely to get to the Other Art Fair in London in October.

Art As A Response To Mental Health

Hi Friends!

The above three pieces from my Anti-Erotica series have been selected for inclusion in the Doncaster Art Fair: Art As A Response To Mental Health online exhibition. I’m so pleased that all three were chosen and that they might reach a wider audience.

The exhibition runs from June 12 – July 22, with voting now open – so please go to the site and vote for one of my artworks if you have some time! While you’re there, check out some of the other stellar artists I’m exhibiting with. It’s a nice collection of styles and talents and I’m happy to be included in it.

My Coven Did a BIG Thing in 2024.

(Reposted from the Folding Chair Coven’s website, originally published in December 2024)

In October 2023, the world stood witness to an unprecedented moment of devastation—the largest mediatized genocide in human history. Amid this harrowing backdrop, a beacon of resilience and unity was ignited in Florence, Italy: the birth of The Folding Chair Coven. This international and intersectional womxn’s art collective, composed of 22 members spanning continents, transcended borders and conflicts to forge a profound human and artistic connection. From diverse races, religions, and artistic disciplines, we united to create and exhibit art worldwide—a testament to the unyielding power of solidarity and creativity.

A year later, as the International Court of Justice condemned the genocidal Israeli war against the indigenous Palestinian people in Gaza, another tragedy unfolded: the Israeli invasion of Lebanon. The southern regions of Lebanon, home to invaluable archaeological sites and UNESCO-designated heritage areas, bore the brunt of relentless attacks. Entire families were obliterated, villages destroyed, and war crimes committed with impunity. Without an air force or advanced defense systems, Lebanon’s resistance—grounded in the right to self-defense as enshrined in international humanitarian law, specifically the Fourth Geneva Convention (1949) and Protocol I (1977)—valiantly sought to protect its sovereignty.

In stark contrast, the Israeli Air Force, bolstered by cutting-edge technology and substantial U.S. funding, unleashed a campaign of devastation using internationally banned weapons, including phosphorus and depleted uranium. The attacks spanned sovereign Lebanese territories, from the south and Beqaa to the capital, Beirut. Hospitals and medical staff were targeted, and entire communities were wiped out—acts classified globally as war crimes and ethnic cleansing.

Amidst this chaos, one of our Coven members, living and working in Beirut, bore witness to the horrors firsthand. She shared with us messages, images, and videos of the destruction, pleading for us to amplify her voice and shed light on the atrocities unfolding in Lebanon.

Her daily reports galvanized the Coven into action. Moved by the situation’s urgency, we channeled our pain and outrage into art, sharing her story and imagery on social media to challenge the narrative and mobilize awareness. As the relentless bombing continued, it became imperative to help her find safety as she planned. Despite the economic blockade imposed by NATO countries, led by the U.S., on Syria, Lebanon, and Palestine, we banded together. Seven artists from Argentina, Italy, Britain, Bulgaria, Malaysia, America, and Mongolia united to secure the resources needed for one of her tickets. In a region where even basic necessities like medicine were scarce, as detailed in Amnesty International’s reports, this collective effort was nothing short of extraordinary.

On November 4, 2024, after weeks of relentless airstrikes and mounting uncertainty, she boarded a flight from Beirut. Across the globe, we held our breath as she traversed multiple borders, and when she arrived safely at her destination in Europe, our shared relief erupted into tears of joy. One month later, with a ceasefire in place, she returned to Lebanon, once again safe.

This experience reaffirmed a powerful truth: together, we are unstoppable. The Folding Chair Coven exemplifies what can be achieved when hearts and minds unite against adversity. What began as a collective of relative strangers blossomed into a force of unwavering solidarity and determination. We defied the odds, challenged systemic barriers, and accomplished the unimaginable.

Together, we are stronger. Together, we are a force to be reckoned with. And together, we will continue to create, resist, and inspire.

October 26 – November 3, 2025: the Regency Townhouse!

Hi all, happy new year!

There have been a lot of things in the works, and today I’m excited to share that my art coven, The Folding Chair Coven, will be having its first ever group exhibition in Brighton, UK at the Regency Townhouse.

At the moment there are 12 of us showing our art from the US, UK, Malaysia, Japan, Argentina, and Italy, just to name a few of the places the art will come from.

This show will commence directly after the XV Florence Biennale closes, making it the perfect time for our members who have already traveled overseas to exhibit there to take part in their own show nearby.

More information to follow as the theme is decided!

My Interview with the Sussex Express

Hello friends!

I was interviewed by Phil Hewitt of the Sussex Express in November, 2023. We spoke about my move to the UK, my art, and the international, intersection womxn’s art coven that I formed while exhibiting at the Biennale last year.

That coven is going strong already, but I am still in the process of building the website and Instagram account. Stay tuned for that!

In the meantime, you can read the article here. The video is embedded below.

2024 is going to be a big year for me and my art!